Amstelveen, The Netherlands, 21 February, 2006: Canon today strengthens its EF-S lens series with the Image Stabilized wide angle EF-S 17-55mm f/2.8 IS USM. With image quality and construction approaching that of Canon™s renowned professional lenses, the EF-S 17-55mm f/2.8 IS USM becomes the fastest standard focal length zoom for EF“S mount cameras such as the new EOS 30D. Combining constant f/2.8 aperture throughout the zoom range with Canon™s latest 3-stop Image Stabilizer, it delivers outstanding wide angle performance and framing flexibility in low light conditions. Specialist optics such as UD glass and aspherical elements help deliver exceptional clarity, sharpness, contrast and colour accuracy. more »
Amstelveen, The Netherlands, 21 February, 2006: Canon today releases its latest professional L-series prime lens: the exceptionally fast EF 85mm f/1.2 II USM. With the widest aperture of any lens in the current EF range, the new model becomes Canon™s definitive portraiture lens, offering extremely fine control over depth of field and consummate low light performance. With vastly improved auto focus speed, the lens replaces the popular EF 85mm f/1.2L USM. As with all L-series lenses, the EF 85mm f/1.2 II USM incorporates the very finest standards of precision optics.
EF 85mm f/1.2 II USM – ‚¬2,049
The EF 85mm f/1.2 II USM features: more »
Amstelveen, The Netherlands, 21 February, 2006: Canon today announces the EOS 30D, replacing the award winning EOS 20D. Retaining the 5fps, 8.2 Megapixel performance of its predecessor, the upgraded camera enjoys a larger, wider viewing angle 2.5 LCD, extended 100,000 shutter cycle durability, spot metering, and a variety of refinements designed to enhance the photographic experience. Targeted at an increasingly discerning population of serious creative photographers, the EOS 30D replaces a camera that already claims a significant share of the Western Europe D-SLR market, which grew by 120% in the last 12 months*1.
EOS 30D body only ‚¬1,399
EOS 30D and EF-S 18-55mm lens ‚¬1,499
The EOS 30D features more »
Coming soon! With over 60 years of experience in design and engineering of the world’s best medium format cameras and lenses, Mamiya addresses the next generation photographer with the Mamiya ZD SLR medium format digital camera. The Mamiya ZD digital camera is the first integrated medium format digital SLR camera. With its built-in 22 mega pixel CCD imaging sensor it produces sharp, high quality rich tones in a surprisingly light weight, compact body that resembles 35mm D-SLR cameras. Utilizing Mamiya’s exclusive 14-bit A/D (Analog to Digital) converter, the 12-bit images are recorded at 1.5 fps, making it the fastest digital medium format camera. With its CF and SD storage options, built-in 1.8 inch LCD imaging preview screen and tethered FireWire® (IEEE1394) to Mamiya Digital Photo Studio software it provides the prefect solution for studio and/or on-location shoots. Simple but powerful, Mamiya?s Digital Photo Studio software offers a complete image capture, processing and editing solution in both MAC and PC based computers. Best of all, the Mamiya ZD digital camera is fully compatible with all Mamiya 645AF lenses. more »
Nikon Inc. introduced the new 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens, a compact, lightweight 11.1x zoom lens that is ideal for high performance everyday photography and incorporates advanced features such as Nikon’s Extra Low Dispersion (ED) glass, Silent Wave Motor technology (SWM) and Enhanced Vibration Reduction (VR II), in a DX-Nikkor design engineered exclusively for use with Nikon DX format digital SLR cameras. With a remarkable 18-200mm focal length range (picture angle equivalent to a 27-300mm lens in 35mm format), the lens conveniently covers everything from wide landscapes to tight portraits and action photography. Advanced Nikon engineering has lent the lens a compact lightweight design that offers excellent handling characteristics and superb optical quality. This ultra high-ratio 11x high performance wide-angle zoom lens, designed exclusively for use with Nikon DX-format digital SLRs, makes a perfect one-lens travel solution. more »
On Nov 1 2005, Nikonusa introduced two new Wireless Close-Up Speedlight Systems — the R1C1 and the R1 — both designed to seamlessly fit within Nikon’s i-TTL Wireless Creative Lighting System. Comprised of the SU-800 Wireless Speedlight Commander, two SB-R200 Wireless Remote Speedlights and a host of useful accessories and mounting adapters all neatly packaged in one complete kit, the R1C1 offers photographers using Nikon i-TTL capable SLRs, including D2x(TM), D2hs(TM), D2h(TM) and F6(TM) a compelling new way to get outstanding results with their close-up photography while bringing an amazing level of simplicity and automation to the lighting process. more »
On January 26th 2006 over a year since the introduction of the E-300 Olympus revealed the 7.5 million pixel ‘live view’ successor, the E-330. The E-330’s biggest differentiator to any other digital SLR is its capability to deliver a live view on the LCD monitor (in the same manner as a prosumer / consumer all-in-one digital camera). For those new to digital SLR’s this is difficult to achieve because of the mirror / shutter mechanism, the mirror is in the light path in view mode to provide an image to the viewfinder, this means that no image can be projected onto the main sensor. Additionally most large D-SLR sensor don’t have video out capability. Other changes over the E-300 include a flip-out LCD screen and a range of feature improvements inherited from the E-500. more »
Canon’s press material for the EOS 5D states that it ‘defines (a) new D-SLR category’, while not typically too concerned with marketing talk this particular statement is clearly pretty accurate. The EOS 5D is unlike any previous digital SLR in that it combines a full-frame (35 mm sized) high resolution sensor (12.8 megapixels) with a relatively compact body (slightly larger than the EOS 20D, although in your hand it feels noticeably ‘chunkier’). The EOS 5D is aimed to slot in between the EOS 20D and the EOS-1D professional digital SLR’s, an important difference when compared to the latter is that the EOS 5D doesn’t have any environmental seals. While Canon don’t specifically refer to the EOS 5D as a ‘professional’ digital SLR it will have obvious appeal to professionals who want a high quality digital SLR in a body lighter than the EOS-1D. It will also no doubt appeal to current EOS 20D owners (although lets hope they’ve not bought too many EF-S lenses…) more »
Digital SLR’s are quickly becoming the fastest moving segment of the digital camera market, this means more new digital SLR’s, more competition and lower prices. The Nikon D50 is introduced as a more affordable and easier to use version of the D70 which was released just under fifteen months ago. Anyone who has seen or handled the D70 will immediately see a strong resemblance in the D50, it’s only when you start to examine the camera in a little more detail that you notice the differences (we’ve detailed them below). Clearly the D50 is designed to compete with other affordable digital SLR’s such as the Canon EOS 350D (Digital Rebel XT), Pentax *ist DS and Olympus E-300. more »
The Nikon D200 was announced on 1st November 2005, some three and a half years since Nikon revealed their first prosumer digital SLR, the D100. It’s fair to say however that the D200 is a completely different beast altogether, it shares far more with its ‘bigger brother’ the the D2X than its earlier namesake. The D200 has the robust build quality of the D2X, a 10.2 million pixel CCD sensor and a compact design more like the D100. Just as the D100 the D200 has a CCD sensor, unlike the D2X which utilized a CMOS sensor. It’s clear that this camera is aimed at the same kind of market as the recently announced Canon EOS 5D. From a features, control and performance point of view the D200 is closer to the D2X than any other model. more »